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Garibaldi’s
Blue Jeans
By
M.J. Cryan ©
How
many teenagers who wear blue jeans every day know that they are continuing a
fashion that began about 140 years ago with the rugged hero of the Risorgimento
movement?
A
Times correspondent wrote from the south of Italy on September 13 1860 when
Garibaldi was busy uniting the country,
“I
had my first interview with the disinterested a brave liberator of Italy in his
red shirt, a dirty pair of jean trousers and worn out boots. Combing his long,
thin hair at the glass stood the greatest patriot since Washington”.
It
must be remembered that this patriot was originally a Ligurian sea captain who
dressed, as his colleagues did, in trousers mad of that indestructible blue
cloth named “blu de Gene”, blue of Genoa, from whence the appellation, blue
jeans.
However blue jeans as a fashion phenomenon was to lie dormant for
another hundred years, and surely the leader of the Mille would turn over in his
grave to see young girls and grown women, instead of port workers, miners and
sailors, wearing them.
Garibaldi
was also the unwitting sponsor for other merchandise, especially in England
where the ladies sported blouses modelled on the Red Shirts, called “Garibaldis”.

There
were Garibaldi tie pins for the men and ads in t The Illustrated London News
offered Dumas’ “Memories of Garibaldi” as the perfect book to read on the
beach or train”.
The
English love for souvenirs coupled with their adulation of the handsome, daring
General, especially after his surprise invasion of Sicily in May, 1860, spawned
an avalanche of commemorative objects, some of doubtful taste.
Besides
the well-known Staffordshire figures of Garibaldi on horseback, there were
Garibaldi silk scarves and bookmarks with portraits, and perfumes named after
the hero were described as “irresistible”. There were sweets known as
“Garibaldi balls” and raisin-studded “Garibaldi” biscuits which are
still enjoyed throughout Europe today.

Garibaldi
rose to such a height of popularity in England that the satirical magazine Punch
always treated him with respect and near reverence, not the fate of other
Risorgimento figures such as Pius IX, who was shown as a dribbling old man with
a crooked tiara, or Napoleon III with patches and broken shoes, or King
Ferdinando II of Naples who was pictured in Inferno in one cartoon soon after
his death.
This
hero-worship sometimes turned to persecution of Garibaldi by his English fans,
as this extract from a contemporary English diary narrates: “Some ladies who
sought an interview with him later at the Hotel d’Angleterre, asked him for a
kiss a-piece, and that each might cut off a lock of his hair. Gen.
Turr looked
somewhat out of patience standing guard over Garibaldi with a comb and raking
down the curls”.
The
craze for Garibaldi produced many poems in honor of the brave General. Authors
included Elizabeth Barrett Browning who penned her Poems before Congress in the
quiet of her Florentine Casa Guidi, where she was visited by British envoys who
considered her a reference point on the Italian situation.
Alfred Lord Tennyson
showed his respect and friendship for Garibaldi in Memoirs, remembering the
General’s visit with him on the Isle of Wight where they planted a pine tree
together.
A
striking contrast to the English hero-worship of Garibaldi can be found in the
poetry and ballads published in the Irish press of the time. In one lively
street ballad the Italian general is admonished, implying that his troubles -
Anita’s death, his wound at Aspromonte and his exile on Caprera- were brought
on as punishment for his having fought against the Pope.
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